TA212 The Technology of Music: Block 2

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liczba utworów
65
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Lista utworów

  • Vol. 1

    1. 1.
      Block 2, Chapter 1, Activity 1a: Eight Sounds
      :21
    2. 2.
      Block 2, Chapter 1, Activity 1b: Eight Sounds
      :13
    3. 3.
      Block 2, Chapter 1, Activity 1c: Eight Sounds
      :25
    4. 4.
      Block 2, Chapter 1, Activity 1d: Eight Sounds
      :15
    5. 5.
      Block 2, Chapter 1, Activity 1e: Eight Sounds
      :10
    6. 6.
      Block 2, Chapter 1, Activity 1f: Eight Sounds
      :13
    7. 7.
      Block 2, Chapter 1, Activity 1g: Eight Sounds
      :20
    8. 8.
      Block 2, Chapter 1, Activity 1h: Eight Sounds
      :36
    9. 9.
      Block 2, Chapter 1, Activity 10: Five Sine Waves
      :28
    10. 10.
      Block 2, Chapter 1, Activity 17: Delay
      :12
    11. 11.
      Block 2, Chapter 1, Activity 18: Antiphonal Music in Context
      2:54
    12. 12.
      Block 2, Chapter 1, Activity 25: Flanging in Context
      :39
    13. 13.
      Block 2, Chapter 1, Activity 37: Amplitude Increments 1
      :30
    14. 14.
      Block 2, Chapter 1, Activity 41: Amplitude Increments 2
      :29
    15. 15.
      Block 2, Chapter 2, Activity 1: Instrumental Sounds
      :19
    16. 16.
      Block 2, Chapter 2, Activity 8: Changing the Phase
      :10
    17. 17.
      Block 2, Chapter 2, Activity 12: Oboe Note
      :09
    18. 18.
      Block 2, Chapter 2, Activity 13: Removing a Note's Attack
      :43
    19. 19.
      Block 2, Chapter 2, Activity 17: Removing the Fundamental
      :28
    20. 20.
      Block 2, Chapter 2, Activity 18: Switching a Harmonic on and Off
      :28
    21. 21.
      Block 2, Chapter 2, Activity 38: Ascending by Major Thirds
      :17
    22. 22.
      Block 2, Chapter 2, Activity 39: Tuning and Temperament
      19:54
    23. 23.
      Block 2, Chapter 3, Activity 4a: Pulse in Context
      1:53
    24. 24.
      Block 2, Chapter 3, Activity 4b: Pulse in Context
      2:19
    25. 25.
      Block 2, Chapter 3, Activity 6a: Varying Note Values in Context
      2:19
    26. 26.
      Block 2, Chapter 3, Activity 6b: Varying Note Values in Context
      2:47
    27. 27.
      Block 2, Chapter 3, Activity 6c: Varying Note Values in Context
      2:34
    28. 28.
      Block 2, Chapter 3, Activity 8: Flexibility of Pulse in Context
      2:50
    29. 29.
      Block 2, Chapter 3, Activity 10: Interpreting the Time Signature
      :30
    30. 30.
      Block 2, Chapter 3, Activity 13a: Time Signatures in Context
      1:02
    31. 31.
      Block 2, Chapter 3, Activity 13b: Time Signatures in Context
      :35
    32. 32.
      Block 2, Chapter 3, Activity 13c: Time Signatures in Context
      1:16
    33. 33.
      Block 2, Chapter 3, Activity 13d: Time Signatures in Context
      1:10
    34. 34.
      Block 2, Chapter 3, Activity 13e: Time Signatures in Context
      1:45
    35. 35.
      Block 2, Chapter 3, Activity 14: Syncopation in Context
      :16
    36. 36.
      Block 2, Chapter 3, Activity 16: Notes With 2:1 Relative Durations
      :51
    37. 37.
      Block 2, Chapter 3, Activity 22: Expressivity in Performance
      :14
    38. 38.
      Block 2, Chapter 3, Activity 25: Jazz Idiom of Paired Notes in Context
      1:17
    39. 39.
      Block 2, Chapter 3, Activity 26: Computerised Interpretation
      :43
  • Vol. 2

    1. 1.
      Block 2, Chapter 4, Activity 11: Reverberant Sounds
      :11
    2. 2.
      Block 2, Chapter 4, Activity 14: Reverberation Times
      1:35
    3. 3.
      Block 2, Chapter 4, Activity 24: Multiple Echoes
      :21
    4. 4.
      Block 2, Chapter 5, Activity 8: Beating in Context
      :56
    5. 5.
      Block 2, Chapter 5, Activity 13: Sketching What You Hear
      :56
    6. 6.
      Block 2, Chapter 5, Activity 20: Streaming in Context
      :24
    7. 7.
      Block 2, Chapter 5, Activity 21: Pitch Illusions 1
      :34
    8. 8.
      Block 2, Chapter 5, Activity 24: Pitch Illusions 2
      :35
    9. 9.
      Block 2, Chapter 5, Activity 25: Pitch Illusions in Context
      2:55
    10. 10.
      Block 2, Chapter 5, Activity 26: Cultural Musical Styles in Context
      :53
    11. 11.
      Block 2, Chapter 5, Activity 28: Dissonance in Context
      :12
    12. 12.
      Block 2, Chapter 5, Activity 29: The Diminished Fifth in Context
      :10
    13. 13.
      Block 2, Chapter 5, Activity 31: Percussion in Contemporary Music
      1:03
    14. 14.
      Block 2, Chapter 5, Activity 32: From Noise to Musical Sound
      2:53
    15. 15.
      Block 2, Chapter 5, Activity 33a: From Musical Sound to Music
      5:23
    16. 16.
      Block 2, Chapter 5, Activity 33b: From Musical Sound to Music
      :32
    17. 17.
      Block 2, Chapter 5, Activity 34: New Sounds, New Music
      12:54
    18. 18.
      Block 2, Chapter 5, Activity 35: Music Invoking Moods or Feelings
      1:55
    19. 19.
      Block 2, Chapter 5, Activity 36: Contemporary Music in Context
      6:05
    20. 20.
      Block 2, Chapter 6, Activity 7: Loading and Frequency Response
      :19
    21. 21.
      Block 2, Chapter 6, Activity 16: Noise in Context
      :12
    22. 22.
      Block 2, Chapter 6, Activity 17: Sine Wave and White Noise
      :13
    23. 23.
      Block 2, Chapter 6, Activity 18: Signal-To-Noise Ratio in Context
      :41
    24. 24.
      Block 2, Chapter 6, Activity 23: Aliasing in Context
      :27
    25. 25.
      Block 2, Chapter 6, Activity 25: Quantisation Levels in Context
      :27
    26. 26.
      Block 2, Chapter 6, Activity 26: Analogue Recording in Context
      2:57